“NAVOI’S LITERARY TRADITIONS IN THE WORKS OF NODIRABEGIM: CONTINUITY OF ARTISTIC HERITAGE”

Authors

  • Shahzoda Temirova Student at the Faculty of Civil Engineering, Tashkent State Transport University

Keywords:

Nodirabegim, Alisher Navoi, ghazal, literary heritage, female poet, Uzbek literature, poetic style, spirituality, tradition, poetry

Abstract

This article explores the poetic legacy of Nodirabegim (Mohlaroyim), a prominent 19th-century Uzbek poetess, through the lens of Alisher Navoi’s literary traditions. By analyzing her ghazals, rubaiyat, and stylistic techniques, the study reveals how Navoi’s spiritual and aesthetic principles were preserved and reinterpreted in her work. As a female poet and cultural figure, Nodirabegim infused classical motifs with a distinct feminine perspective, contributing to the evolution of Uzbek literary heritage. The article also examines the continuity between classical and modern interpretations of poetic values.

References

1. Navoi, A. (1991). Selected Works. Tashkent: Fan Publishing House.

— A comprehensive collection of Alisher Navoi’s poetry, foundational for understanding classical Uzbek literary aesthetics.

2.Nodirabegim. (2004). Divan of Komila. Edited by M. Juraev. Tashkent: Gafur Ghulam Publishing House.

— A curated edition of Nodirabegim’s poetic works, including ghazals and rubaiyat, with scholarly commentary.

3. Karimov, S. (2010). Women in Central Asian Literature: Historical Perspectives. Samarkand: Sharq Publishing.

— Explores the role of female poets in Central Asia, with a focus on historical and cultural contexts.

4.Saidov, B. (2015). The Influence of Navoi’s Poetic School on 19th Century Uzbek Literature. Journal of Oriental Studies, 22(3), 45–58.

— An academic article analyzing Navoi’s stylistic legacy and its impact on later poets, including Nodirabegim.

5.Tursunova, N. (2018). Cultural Patronage and Literary Identity: The Case of Nodirabegim. Central Asian Literary Review, 14(1), 67–81.

— Discusses Nodirabegim’s dual role as poet and cultural reformer, with emphasis on her architectural and educational contributions.

6.UNESCO. (2001). Women Poets of the East: Anthology and Commentary. Paris: UNESCO Publishing.

— Includes translated excerpts and analysis of female poets from the Islamic world, featuring Nodirabegim’s work.

7. Babajanov, B. (2007). The Ghazal Tradition in Uzbek Literature. Tashkent: Academy of Sciences Press.

— A detailed study of the ghazal form and its evolution in Uzbek poetry, with references to both Navoi and Nodirabegim.

8 Mukhtorova, G. (2020). Female Voices in Turkic Poetry: From Mahsati to Nodira. Istanbul: Eurasian Literary Studies.

— Comparative analysis of prominent female poets in Turkic literature, highlighting stylistic and thematic continuities.

9. Khakimov, R. (2012). Symbolism and Mysticism in Navoi’s Poetry. Tashkent: Adabiyot Publishing.

— Explores the philosophical and symbolic layers in Navoi’s work, useful for understanding intertextual parallels.

10.Yusupova, M. (2019). Gender and Poetic Expression in Central Asian Literature. Journal of Gender Studies in the East, 11(2), 89–103.

— Investigates how gender influences poetic voice and imagery, with case studies including Nodirabegim.

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Published

2025-09-27

How to Cite

“NAVOI’S LITERARY TRADITIONS IN THE WORKS OF NODIRABEGIM: CONTINUITY OF ARTISTIC HERITAGE”. (2025). INTERNATIONAL CONFERENCE ON INTERDISCIPLINARY SCIENCE, 2(9), 123-126. https://universalconference.us/universalconference/index.php/icms/article/view/5267