"UZBEK BOWED STRING INSTRUMENTS: HISTORY, THEORY AND PRACTICE (The traditional and contemporary kobuz as an example)"

Authors

  • Akhmedov Alisher Nosir o’g’li Dean of the “Instrumental Performance” Faculty of the Uzbekistan State Conservatory, Associate Professor of the “Performance on Folk Instruments” Department, Independent Researcher (PhD).

Keywords:

Musical, Worldwide, Coherent, Tembr, Effect.

Abstract

To highlight the theoretical, technological and performance capabilities of the Uzbek stringed musical instrument kobuz from the perspective of the development of national traditional art.

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References

1. Karomatov, F.M. Uzbek Instrumental Music. – Tashkent: Gafur Ghulam, 1972.

2. Odilov, A. History of Performance in Uzbek Folk Instruments. – Tashkent: Oʻqituvchi, 1995.

3. Petrosyants, A.I. Instrumentology. – Tashkent: Oʻqituvchi, 1990.

4. Toshmukhamedov, M.I. Gdijjak Textbook. – Tashkent: Oʻqituvchi, 1995.

5. Kholmukhamedov, O.M. Methodology of the Gdijjak Class. – Tashkent: Gafur [publisher], [year not specified].

6. Khudoev, G. Performance Traditions of the Gdijjak Instrument. – Tashkent: Muharrir, 2014.

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Published

2025-12-05

Issue

Vol. 2 No. 12 (2025): INTERNATIONAL CONFERENCE ON INTERDISCIPLINARY SCIENCE

Section

Articles

How to Cite

"UZBEK BOWED STRING INSTRUMENTS: HISTORY, THEORY AND PRACTICE (The traditional and contemporary kobuz as an example)". (2025). INTERNATIONAL CONFERENCE ON INTERDISCIPLINARY SCIENCE, 2(12), 39-42. https://universalconference.us/index.php/icms/article/view/6009